SUNDANCE 20

Screening time: Saturday, May 4, 3:30 PM, Charles Theatre 4

Director: Rob Fruchtman and Rebecca Cammisa

Cast: Sister Helen Travis and Travis Center residents, Mel, Ashish, Major, and Robert.

Country: U.S.
Year: 2001
Running Time: 90 min
Format: Beta SP

Long before there was a film festival in Utah, Robert Redford looked at the land he was accumulating in the dramatic Wasatch mountains and had an idea. A great idea. His idea was to assemble established, passionate filmmakers and then let new filmmakers use them as a resource to develop their movie. Artists like Glenn Close, Sydney Pollack, and legendary screenwriter Waldo Salt agreed to help. For years no one noticed. All of a sudden the world looked up and saw that films like Requiem for a Dream, Smoke Signals, Bottle Rocket, Trip to Bountiful, Love and Basketball, Reservoir Dogs, Boys Don't Cry, among many others, had been incubated at Sundance. How did it happen?

Filmmaker Doug Pray went to the labs in the summer of 2001 to capture the process. Through interviews (Redford, Michelle Satter who has runs the Labs from the beginning, and others), and by focusing on a few of the projects, Pray has made a film about this special movie camp. It is a fascinating and rare glimpse into an important world. Because none of the films from last year's Sundance Labs is in production yet, this documentary gives the filmgoer a chance to guess which filmmakers and projects will emerge.

The Producers Club of Maryland picks a project each year and gives the Maryland Filmmakers Fellowship to the filmmaker to move the project toward production. The 2001 Fellowship was split between Tatia Rosenthal for her script $9.99, and Jacob Kornbluth for The Best Thief in the World.

Sundance 20 was first seen at a private screening at Sundance 2002, and will be shown on the Sundance Channel.

--Jed Dietz

Presented By: Doug Pray with Tatia Rosenthal and Jacob Kornbluth (participants in the 2001 Sundance Labs, and recipients of the Maryland Filmmakers Fellowship)

 

Biography

Doug Pray's first two documentary films explored important parts of the music world. Hype!, which documented the grunge movement in Seattle, and Scratch, which delved into the world of hip-hop DJs, were both highly acclaimed. Doug also edited American Pimp for the Hughes Brothers. He has a sociology degree from Colorado College and an MFA in film from UCLA.

Producers Club Selection Committee 2001: Jim Dale, Arthur Fergenson, Dan Krovich, Liz Malis, Paula Rome

 

 

 

 

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